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Genie Davis' review in Diversions LA: The Spiritual Vision of Memories of Tomorrow’s Sunrise

Exert from Diversions LA, The Spiritual Vision of Memories of Tomorrow’s Sunrise by Genie Davis, June 20, 2022 http://www.diversionsla.com/the-spiritual-vision-of-memories-of-tomorrows-sunrise/

Still from The True Story of Edges, 2022, 2:24




Art fills the soul as well as the eyes in the poetic Memories of Tomorrow’s Sunrise at CSULA’s Ronald H. Silverman Fine Arts Gallery. Curated by Jason Jenn and Vojislav Radovanovic with Mika Cho, the four-gallery exhibition is a deep dive into what makes us human, and what makes each human who they are.

Participating artists include Enrique Castrejon, Serena JV Elston, Anita Getzler, Jason Jenn, Ibuki Kuramochi, Marne Lucas, Trinh Mai, Vojislav Radovanović, Hande Sever, Marval A Rex, Kayla Tange, Nancy Kay Turner, and Jessica Wimbley.

The works are each, in their own way, about the connective tissue of ancestry and relationships, identity, and history – both genealogical and spiritual. Some honor family, both those of our bloodlines and those chosen long after birth. Others focus on exploring present hopes and past dreams. There are images that witness loss, honor mentors, explore sexuality, refer to tragedies, relate to purpose, and search for true essence of being alive.

Primarily mixed media in terms of medium, these works are as layered visually as they are with meaning. While each artist’s creation can stand on its own, the interaction between the works is important here. There is real effort in not just bringing the art together in visual conversation, but in allowing viewers and artists alike to explore the power of personal understanding.

The show’s title suggests, according to the curators, that “Collectively, we are the ancestors of tomorrow’s sunrise and someday we shall all be but a memory.” As viewers, we pass unseen as ghosts in front of each, very much alive, work. Conversely, we are also participants in future memories of our own, involved in the immersive experience of viewing, and in our own individual inchoate ways, seeking to share and preserve what we’ve seen.






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